Saturday, February 7, 2015

Fratastic Pete's Limelight Collector Interview #2:
Sean & Ryan Lehmkuhl

A collection from the "wild"...

 
VITAL STATS
Focus: items, collections, displays, emotion, time, space.
Likes: 43
Views: 3,335
Comments: 44
Items: 250+
Fratastic Collector Rating: Seasoned Super Pickers





Pete writes:

With that start of the New Year we enter another year of collecting -- a year that is special in that since 1977, it’s only the 7th year in the 34 year history of Star Wars to see a new full length motion picture from the series hit the big screen. With every new movie comes a new wave of excitement in the hobby and new found interest in the franchise. That makes for an interesting scene for seasoned collectors and new collectors alike, as we see an influx of interest leading to some getting out of the hobby, some getting deeper into it, and of course new blood as well.

For our second limelight review here on the SWCA blog, we follow suit on the original segment which covered a collector deeply entrenched in the hobby with nearly two decades of collecting under his belt. This time we have a pair of brothers who are equally vested in the hobby as a whole but with a very different approach to how they built their collection. This is the collection of Sean and Ryan Lehmkuhl, a pair of brothers from Cincinnati, who have an equally unique story behind their collection.  

Nostalgia is always a theme with collecting, however for our subjects this month they are unique in that they never saw the movies until after they had played with the toys as kids. That aspect of their collecting story struck me as the contextual aspect of the toys and the universe they lived in was unknown to them as children. Given that the toys came before the movies instead of vice versa, this and many others aspects of the “why, when and how they collect story” gives us a different perspective from the typical collector.

So what is collecting in the "wild?" The term seems to have an increasing presence in recent collector discussions. Does it involve isolating oneself from others and going off on a spirit journey? Does it involve wild animals? Or, is it simply that they collect at the tail end of wild nights out on the town? At the end of the day collecting in the "wild" is quite simply collecting off the main grid and not utilizing the more common channels that collectors use today. In the early days of Star Wars toy collecting (1990s), the majority of purchases came through two means, mail order and brick and mortar toy/comic shops. Mail orders usually came via publications like Toy Shop with sellers such as The Earth or other shops across the country taking out ads with listings of their available inventory. Fast forward another 10 years and we have the internet being readily accessible to the majority of the population, giving birth to today’s mainstream channels for collectors. The big one, eBay, has remained the main source for collectors since the late 90s. Other channels such as forums (Rebelscum.com, and Imperial Gunnery) gave way to more direct access between collectors prior to Facebook coming around. Today these sites along with retail based web stores like Brianstoys.com make up the vast majority of all transactions in the Vintage collecting hobby. Collecting in the "wild" goes around all of these traditional and more accessible channels, and focuses on places more familiarly documented on shows like American Pickers and Toy Hunter. These include garage sales, attics, basements, and the occasional toy show. It’s a much more involved way of collecting, but it usually reaps larger rewards for those who are willing to invest the time into digging into these locations, and more importantly the time to find them in the first place.

As adults today the Lehmkuhls' collection still resides in their parent’s basement, mainly for nostalgia and the fact that it belongs to both of them. Sean mentioned that the walls in the basement are covered with faux wood paneling. This adds to the nostalgia, and is something I can relate to as that’s exactly what covered the walls in my parent’s basement when I was growing up as well. As Sean and I started to discuss the collection, collecting in Cincinnati, how he and his brother started to collect, and their unique method of obtaining items, it was easy to see that this was going to be less about the what and more about the how and why of collecting.

Onto the interview...

FP: What was your first interaction with the toy line?

SL: A school that I attended had a lot of the toys. Kenner employees would donate the toys to the schools in the area including Star Wars, Ghostbusters and other Kenner lines from that time period.   We hadn’t seen the movies at the time so we didn’t have a lot of context for the worlds the characters existed in and had to use our imaginations. We liked the characters so much that we went to see the movies, and that built on our love of the toy line.   

FP: How did you start to collect?

SL: I was 13, and my brother was 11 is when we started to collect loose figures. We picked up the majority of our collection in the early days at Traders World (flea market) right outside of Cincinnati; this is how a lot of prototypes got to the market. My parents were antiquers through the 70s so I spent a lot of time going to auctions and antique houses growing up. Thus the flea markets were familiar territory for me and I knew how to haggle from watching my parents. I saw my first display of plastic treasures there and was able to haggle with the seller on the getting a TIE Fighter Pilot for $3. From there we were hooked. A few weeks later we made our first big purchase: a Darth Vader case full of figures with their weapons. 

FP: What’s it like collecting in Cincinnati given it’s where Kenner was originally based? Has it impacted your ability to discover good finds?

SL: Yes and no. There aren’t a lot of toy shows in the area -- this last year was the first one. It was a great event with 5 times what I saw at the Chicago at Kane County auctions. There’s a local company that runs the shows here as well as Dayton and Columbus. 

So that was the "no" part, but as Sean explained further and as you’ll see through the rest of the discussion the other side of this is a more resounding "yes." Think of it like being a Disney collector growing up in Anaheim, or being a Harley collector growing up in Milwaukee. Being in the key city where the licensee was headquartered gives you a strategic advantage in terms of the quantity per capita compared to other markets. You've also got a local network of people who worked for the company. If Kenner employed thousands of people in its heyday, with annual turnover there was an incredible amount of people that had a working relationship with the company in the Cincinnati metro area during the 1977-1985 run of the Star Wars toy line. This has a huge impact on access to items, specifically pre-production items.

SL: Knowing the market is the key. Friends, family, and general connections are at the heart of being effective at picking up items. Random connections from others give you more leads. Another thing that really impacted the area around me was Toy Hunter; it made people in the town realize what some of this stuff was worth. It also made me and my brother take notice of the different opportunities to find a lot of great items in the Cincinnati area.

FP: When did you start to collect?

SL: 1995

FP: What is your favorite figure and why? 

SL: Imperial Gunner. I remember playing with in pre-school. It came from a Kenner employee and was in a baggie. I don’t recall ever seeing a baggie version of Imperial Gunner so I’m not sure if this was meant for something or if it was a quality control item.

FP: What is your most coveted piece in your collection? 

SL: There are really two answers to that: near term and back in the day. When me and my brother were starting out our collection there were a few figures that we didn’t have because of the cost of the figures. Yak Face was one of these and he would show up once in a while but was too expensive for us at the time. We just couldn’t understand why a figure would cost over $100. It turns out that on one of our trips to Don Gibbs' booth he mentioned to our Mom that he had one coming in. He gave her his card and said to call him on Monday. That Christmas we ended up getting a Yak Face from our Grandma (via our Mom) we  still have the card that says,“I have a Yak Face coming in Monday give me a call.”

 
On the newer acquisition side, it’s my roto-cast Yoda hand puppet mold. With Yoda it looks great because the metal gives it an additional level of detail. It’s the only one to pop up on the market that I’ve seen over the years.

Like many collectors Sean and Ryan stopped collecting when Sean went to college. It’s a common occurrence as most in college don’t have the greatest level of discretionary income or the time to invest into a hobby like this.


FP: What are some of your more recent acquisitions from the "wild" that stand out to you?

SL: I bought 4 speeder bike (pedal bikes) in the last year. I always tell people to show up with money in hand so you can get what they have. I buy most everything in person and very little off of eBay and Facebook. I don't like the idea of flipping for trade bait, or buying single items for flipping, but bulk purchases are great to flip if you’re keeping some and getting rid of something.

FP: Do you have a focus for the collection?

SL: I don’t have a focus today necessarily; when we started it was to get a full loose run of figures.   Then it changed to vehicles then it was keep one of everything that we find.

Sean and Ryan’s collection is expansive, so Sean and I had a very lengthy chat on the collection itself, cutting it into segments and looking at some of the unique, rare and just impressive aspects of what makes it such a great collection in itself. However, one of the key things that I wanted to discuss with Sean was the Kenner coin section, how it came together, and of course the specifics of what it entails. As most know, the majority of these coins were released with figures in the Power of the Force, Ewoks and Droids lines towards the end of the Star Wars Kenner production run in 1985. There were 62 coins released, including those associated with the last 17 core Star Wars figures to be released. These are broken down into 5 categories based on rarity, with some being released exclusively through Kenner’s mail-in promotion. For more information on vintage Kenner Star Wars coins, see the Coins section of the Archive.) The collection itself spans every coin released in all three segments (Power of the Force, Droids and Ewoks) as well as some pre-production pieces. Needless to say there was a lot of chatter about this segment of his collection.


SL: We have the full run of production coins as well as prototype example of nearly every Droids and Ewoks coins, (partly from a big find) but there were some we had to track down. When it comes to the silver POTF coins, my brother was the one who made the frame you see in the pictures. He has a knack for that sort of thing.

With a lot of these pre-production coins (which can go for big bucks on eBay) and a full run of the production items, this might be the most lucrative segment of the collection. However we don’t measure our collections in just dollars and cents, but by how much stuff we actually have…


FP: Let’s talk about some of the other aspects of the collection. Since we were somewhat on the topic of pre-production, why don’t you tell me about some of the other pre-production items in your collection.

SL: There are a few pieces in the collection that stand out. We already talked about the roto-cast mold Yoda figure, but there are a few other pre-production items worth noting. There are a few first shots – AT-AT Driver, Hammerhead and Dengar. The Hammerhead figure came in a lot of figures that I picked up for $20 here locally. The unpainted Dengar came from a neighborhood friend who was the son of a Kenner employee; there were several pre-production pieces, half were painted and others were just one color like this one.

In addition to his first shots there were a few other pre-production items worth mentioning. The first is a salesman sample of Ben Kenobi from the 12” release. Sean has recently had this piece graded and it’s a great piece of history from that series as there are so few pre-production era pieces in comparison to the 3¾” release. 





Lastly he has a pair of Gold Vader cases -- one with the black plastic interior and one with yellow plastic. As most know, these were used by the paint department to test out the gold paint that would be used on the C-3PO case that was eventually release in the ROTJ line. It's quite a feat to find one of these. To find a pair is impressive and like most of his collection these also came from the "wild."

In the fraternity of long term Star Wars collectors and new collectors, pre-production is the key segment that has made the hobby exciting for many over the last 10+ years. Let’s admit it, once you collect all 92, you want something more. Pre-production has a been a way that you can continue to introduce something new into the hobby in terms of physical content -- something that’s important when nothing has been made from the line in nearly 30 years. But for the uninitiated and the majority of collectors as a whole, the Kenner production line is still an area where people appreciate the accomplishments of their peers in terms of breadth and depth of collections amassed. This is no different for Sean and Ryan Lehmkuhl. Thus, as we closed out our discussion the topics turned more towards this part of their massive collection.

FP: Your MOC collection is massive and displayed in a great way. Did you get everything graded?

SL: Thanks, no everything is in AFA style cases we picked up when they had a sale a few years back. I really don’t get anything graded unless it’s pre-production.

FP: What’s your goal with the MOC collection?

SL: I would like to get one of every character on the card, and then get more focused the rookie cards for each character. There’s a lot still left to find with the ESB and POTF lines being the key focuses as we have the majority of the ROTJ and Star Wars lines.

In addition to their carded figures, the brothers' collection spans into a full run of packaged and loose items. Some of the other key items include a full boxed run of 12” figures, several mailers including catalog multi-packs and stand alone figures, vehicles, playsets and something from every segment of the original Kenner line up. As many say, a picture is worth a thousand words so I’ll let the images do the talking when it comes to the expansiveness of items in pure volume. Let’s just say that it’s truly amazing to me that such a massive collection came primarily through non-traditional channels.

In addition to his collecting hobby, Sean likes to travel, and not just to flea markets around the Ohio area, but across the country as a whole. Sean is a family man. He has a wife and son who have opposing views on his collection. While his son is turning into a collector of his own, his wife describes the collection and hobby with one word: “Hoarding!” 

Like many collectors, Sean does what he does out of a love of his childhood and rekindling memories, but unlike many he has found a unique way to build his collection -- one that bonds him with his brother and is something that should be acknowledged by collectors as a whole. Collecting in the "wild" isn’t easy, but reflects what is at the core of why so many of us are on this crazy journey to find our fix from a galaxy far, far away.

--FB24

Friday, January 30, 2015

Kenner Kids Vol. I: Primary Objective = Primary Colors

Steve writes:

Dorky looking kids will always and forever be associated with the marketing of Vintage Star Wars toys. From their unforgettable (and usually awkward) performances in television commercials to their engaged (and at times slightly unsettling) poses in photography utilized in merchandise packaging and catalogs, these endearing little goobers were an integral component of Kenner's visual language for the product line's promotion, particularly during the first few years. This was with good reason -- they were the public representation of the franchise's key audience and consumer.

While the toys themselves are often the primary focus for collectors, this blog series -- which we'll call Kenner Kids -- will put the spotlight on the youths behind the toys. While there will be some fun being poked, it will be with harmless intent and completely celebratory in nature. Lastly, I hereby promise to dig up and post at least one equally embarrassing photograph of yours truly at about this age to even the score a bit at some point.
 
DIP DOTS PAINTING SET (1977) - They provide the color and STAR WARS the action.

When scouring the Archive for images to curate for these posts, a pattern that I had always sort of noticed became all the more clear: red, yellow, blue...red, yellow, blue. Almost every marketing image from the original Star Wars product line (and especially those featured in retailer catalogs) predominantly featured primary colors -- not only with backgrounds, but with the clothing of the kids depicted. They too were incorporated into the simple yet eye-catching color scheme that just isn't found in toy aisles anymore.

ESCAPE FROM THE DEATH STAR GAME (1977) - "has all the appeal of the movie." Well...

With the ESCAPE FROM THE DEATH STAR GAME released in 1977, even the backgrounds of the game pieces were primary color coordinated. Whether or not it had "all of the appeal of the movie" I couldn't tell you, as I've never played it. Regardless, this trio of yellow-clad youngsters seem to be enjoying it quite a bit. With the action figure line yet to reach their hands, they probably just didn't know any better. Ignorance is bliss.

DIECAST VEHICLES (1978)

The level of excitement in these kids' expressions wanes appropriately with each of these diecast vehicles released in 1978. Perhaps an omen for the failure of the Micro Collection four years later?

3 POSITION LASER RIFLE - Image courtesy of Ron Salvatore

This child marksman has mastered all three positions of the 3 Position Laser Rifle: "STANDING GUARD" (top), "SNEAK ATTACK" (lower left), and..."LASER BATTLE" (lower right). Configurations for comfort are of the utmost importance when it comes to firearms.

The first three images were derived from the Fall 1977 Products supplement and 1978 Kenner Retail Catalog. There are quite a few scanned pages from early catalogs still up and running in the Toy Fair and Dealer Catalogs section maintained by Chris Georgoulias.

Thursday, January 29, 2015

MarketWatch: Imperial Commander


Michael L. writes:

The market continues to deliver a decent level of stock. It's probably not too big a surprise that quite a few Imperial Commander figures survived as MOC's over the years. I can just see these having been purchased and then sitting in parent's cupboards, probably not too many kids 'nagging' for that Imperial Commander figure.


As always happens, when you look over 15-25 MOC's of the same figure you grow a little fondness for the thing. Which to me, goes back to the simplicity and effectiveness of the packaging. It really was a beautiful design and it seems no matter which figure and colour background they used, the figure/cardback looks great.

In summary, there was a great assortment on sale in recent months. I was able to almost compile a full run of card backs. The ungraded MOCs went really cheaply, well under $50 for quite a few. Graded examples had a large premium, with one AFA85 fetching close to $300 for his debut card.

Interestingly, quite a few beater MOCs sold, one for $22 and another for $14 (though he had the bubble crack on it's way to AFA). And a Mexican cardback as well. 

And lastly I found a proof (Revenge) which went for $625.

Onto the data ....

EMPIRE STRIKES BACK

41A AFA80 (C80/B85/F85) $274 - eBay link

41A Ungraded $180.39 - eBay link

Must say I'd prefer to have saved the $90 price differential and have purchased the ungraded MOC. I also think it looks better - without the TrU price sticker.

41A Ungraded (fairly rough condition) $45.40 - eBay link

41C Ungraded (POP removed) $56 - eBay link

41E Ungraded (real beater) $22.86 - eBay link

47 Ungraded $37.25 - eBay link

48A AFA80 ~$299 - eBay link

48C Ungraded - cracked bubble (this figure was listed as being damaged when sent to AFA for grading ... Ouch).  $14.25 - eBay link  

RETURN OF THE JEDI
48D Ungraded $49.99 (with coin offer sticker) - eBay link

65B Ungraded $33.00 (clear bubble) - eBay link

77 Ungraded $63.21 (clear bubble) - eBay link

FOREIGN
Palitoy 41 back Ungraded - $182.59 - eBay link

Lili Ledy 30 Back - cardback only $89.88 - eBay link

PRE-PRODUCTION
Revenge proof AFA85 $620 - eBay link

So another good load of data...it's quite satisfying when I can find close to all the Kenner cardbacks for a character. The foreign items and the proof were also nice to have found - $620 doesn't sound too bad for a proof considering where the market is on pre-production items at the moment. 

Thanks for reading...Wampa Wampa. 

Tuesday, January 27, 2015

The Ballad of Walter Stuben

Ron writes:

Contemporary Star Wars collectors often approach the hobby as though it started in the '90s. After all, that's when the people who had started buying Star Wars merch as kids reached adulthood and became formal collectors.

But there have been adult collectors since the '70s. Most of them are no longer active, but their efforts in the years immediately surrounding the release of the original movies are what laid the groundwork for all the nerdery that came afterwards.

I looked at first-wave collectors in this post, which examined some old collecting publications put out by TKRP. In that post I promised to devote some time to Walter Stuben, the king of '80s collectors. I intend to do that here. This post will spotlight some press-kit materials related to Stuben's 1984 appearance at Toy Fair in New York City.


I first heard of Stuben from a first-wave collector who lived in my area. He referred to Stuben as the biggest and most famous collector of the '80s -- a sort of proto Steve Sansweet. (Of course, the real Steve Sansweet was actively collecting throughout the '80s, though he hadn't yet captured the title of Collecting Big Kahuna.) He said he'd even been on television in a special segment that ran prior to an airing of Star Wars.

This piqued my interest, as did Stuben's ads in some old issues of TKRP Collector Connection that I happened to come across. How interesting, I thought, that no one in my collecting circle seemed aware of this guy.


Fast-forward 10 or so years. Somehow I came into possession of a cache of material relating to Stuben; I believe it was assembled by Tom Kennedy of TKRP fame. It consists of photocopies of correspondence between Kennedy and Stuben, as well as documents pulled from what looks like a press-kit related to Stuben's appearance at Toy Fair. Above you see a letter that Stuben sent Kennedy regarding what must have been a whirlwind tour of NYC, one filled with media appearances and high-level collection showboating.


In 1984 Kenner decided to fold Stuben and his massive collection into their promotional plans. They brought him to New York for Toy Fair and helped bring media attention to his collecting activities.

It was a big year for Kenner. Star Wars movies were now a thing of the past, and the company had a lot of competition on the boys toys front, issues I discussed back here. Kenner must have seen Stuben as a means of keeping Star Wars -- and Kenner product -- in the public's view.

Above you see the first page of a press release from an advertising agency working on behalf of Kenner.


 Here's page two.


Here's a newspaper clipping. I like how it treats Stuben's claim that his collection represents an "investment" for his children as being somewhat dubious. 


An ad for the Toy Fair exhibit from the New York Post.


The ad agency's summary of media coverage.

Finally, below are some images showing Stuben and his son tending to their exhibit, which took place over three days at the Doral Inn in Manhattan. They look like publicity stills that have been photocopied by the ad agency.

Hopefully none of the packages got dinged during the event. Today you wouldn't think of attempting something like this without first encasing all the good stuff in about seven layers of bulletproof acrylic.








I hope you've enjoyed this look at a forgotten piece of Star Wars collecting history. If anyone has a video of the Stuben segment that aired before Star Wars in 1984, I'd love to see it!

But before I close this post out, I'd like to share two Stuben-related stories.

1) When I was a kid my parents and I attended a New Year's Eve festival at Bear Mountain State Park in New York. During the festivities I recall hearing a PA announcement promoting the chance to see a collection of [drumroll] . . . every Kenner Star Wars toy ever released. Being an eight-year-old lover of Kenner Star Wars toys, I bothered my mother throughout the event. I simply had to see this! My mother is a crafty woman: She claimed I imagined the announcement. Anyway, as a kid I figured the collection was on site at Bear Mountain. But 12 or 13 years later, upon learning about Stuben and his Toy Fair exhibit, I developed the belief that the "collection" of the PA announcement was Stuben's show at the Doral Inn, which took place a little over a month after December 31, 1983.

2) In the late '90s I was selling some custom figures on eBay, and I was shocked to learn that one of my buyers was none other than Walter Stuben. He was tickled to learn that I knew of him, and we chatted for a bit via email. He told me he'd stopped collecting in an organized way, but that he still occasionally bought things that caught his interest. I put him touch with some old-school collectors with whom he'd fallen out of touch. He seemed like a really nice guy.

Saturday, January 24, 2015

Star Wars - Your Passport To Adventure!

Amy writes:

Traveling to a galaxy far far away with passports began as far back as 1980. Here's a brief history of collectible Star Wars passports.

The first intergalactic passport from 1980 granted access to visitors, press, and crew to the set of The Empire Strikes Back during filming. The book is bound in a hardcover cloth with a silver foil stamped logo and has a sewn in binding with 8 pages. The visa stamps shown below were printed in all of the books. These printed stamps include such unique destinations as Utapau. Passports with actual stamps in addition to the printed ones meant that they were used for set visits. Stamped passports are harder to find.


Ballentine Books published the Star Wars Intergalactic Passport in 1983. This book was made available in stores and included printed visa stamps in the back that could be cut out and glued into the pages.


Wizards of the Coast revived the intergalactic passport at GenCon in 2000. The logo from 1980 was used for the cover. Attendees to GenCon could use this passport as a ticket to win a prize package of Star Wars Wizards of the Coast miniatures.


In 2007 at Star Wars Celebration IV in Los Angeles, passports were handed out for the Kessel Run. The Kessel Run was a scavenger hunt held during the convention. Participants could gather stamps in their books in exchange for answers to clues.


Attendees at Celebration Europe in 2007 were offered a 1980 style intergalactic passport. Recipients were given 10 clues to collect 10 stamps at different licensee booths. Unlike the cast and crew passport, this version featured a staple binding, a card stock cover with a black background, and printed stamps from the original were replaced with actual stamps that could be collected.


When Star Tours reopened in 2011, StarToursPassport.com allowed visitors to print off their own galactic passports.  In place of stamps, visitors to the park could cross off the planets they visited from a checklist to keep track of all of the variations to the ride they had seen.  This passport is no longer available online.


At Celebration 6 in Orlando in 2012, Lucasfilm once again handed out galactic passports. Like the Celebration Europe passport, fans could take the book to various licensees and vendors in the exhibit hall to collect stamps.


The most recent iteration of the intergalactic passport was made by Seattle Star Wars collectors. The event was ICE (International Collectors Event) held in Seattle in 2013. The passport was designed to pay homage to the original intergalactic passport. The cover had a cloth textured card stock paper and the silver foil stamp on the cover included the ICE logo, a probe droid / Space Needle mash-up. Inside, the passport was staple bound with 8 pages. Attendees could collect stamps for each event and party during the weekend. Unlike the original intergalactic passports, unstamped copies are extremely rare.